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Below are pictures of the various locations used to film
external
scenes from Prisoner. The text & images remain the property
of the original owner and may not be reproduced.
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Prisoner
Locations Review
No
trip to the city where Prisoner was filmed would be complete
without an exploration of the external locations that featured
throughout the series. Blockade were fortunate enough to secure
the services of one of Melbourne's most erudite Priz fans,
Robert Myall, who was happy to give us the guided tour. Renting
out a pair of minibuses, we fearlessly took to the Melbourne
streets to trace the footsteps of Karen Travers, Margo Gaffney,
and even the wheelchair tracks of Yorkshire's very own Dennis Cruickshank...
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One
location that most of us had already taken in during a routine
trawl through the delights of Melbourne city centre was Flinders
Street Railway Station. This was briefly used in the opening
sequence of the first three episodes, with Karen Travers walking
past. As such, it was intended to contrast the urban freedom of
her previous life with her future incarceration. Located at the
corner of Flinders and Swanston Streets, the station is in fact
only a stone’s throw from the Forum Theatre, where the reunion
was to take place.
As
part of our quest to understand the inner-core of Prisoner’s
dynamic examination of the penal tradition, we first had to see
where justice was so rigorously (?) dispensed. So our first
major port of call was the Prahran Courthouse on Greville
Street, Prahran, one of the few locations where the interior of
the building was used as well as the exterior. Prahran is one of
Melbourne’s more upmarket areas, but the street itself was
surprisingly narrow – not the sort of setting one would
imagine for such a seminal location. Familiar throughout the
early years of the show, the courthouse was used in a host of
storylines, including:
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Pat
O’Connell’s trial and her subsequent appeal, with Greg
Miller as a witness.
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The
trial of Toni McNally. It was outside the court on Macquarie
Street where vigilante Roslyn Coulsen fatally shot Toni.
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The
trial of daddy-killer Caroline Simpson and living vegetable
Vivienne Williams, with Lizzie and Doreen as witnesses.
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The
early trials of Doreen and Lizzie after stealing liquor.
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The
trials of Sharon Gilmour and Tony Reid on drug-related
charges, with Judy Bryant and Paul Reid in attendance.
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Geoff
Butler’s trial for his laudable attack on Meg, with Jim
Fletcher and Meg as witnesses. Michael Simpson and Geoff
butler met up in Macquarie Street after the trial.
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‘Mum’
and Bea’s trial following Bea’s amnesia/’escape’.
‘Mum’ and Bea say their final goodbyes in Macquarie
Street.
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Thieving
athlete Michelle Parkes’ trial (she thanks her
‘witness’ Amelia in Macquarie street).
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The
front of the building (Greville Street) was used to
represent
the police station when Meg bailed out Nick during her
woeful probation officer days.
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With
Meg’s sainted footsteps as our guiding light, we felt ready to
tiptoe around the exterior of the domestic enclave that was she
and Dennis’ flat in Marne Street, South Yarra. Just the
thought of Frank Burke lying in wait was enough to enthrall our
warped and savage minds – but sadly there was not a
Yorkshireman in sight, so any plans to re-enact the celebrated
kneecapping of Dennis Cruickshank were sadly scuppered!
Huddled
enthusiastically in our minibuses, we passed down Collins Street
in the city – this was used for location shooting in episode 2
following Bea’s release, when she has her hair done, calls
Valerie Richardson, and then catches a taxi on the north side of
the street.
More
prestigious was the expensive bar where Margo Gaffney and
boyfriend Wayne went to celebrate her release. This was in fact
the Hilton Hotel in East Melbourne.
We were able to follow Margo’s short-lived release to
its ill-fated conclusion as we later explored the scenes of the
failed payroll robbery that landed her back inside and Wayne and
Bazza an early place in the morgue. The snatch was filmed in
Port Melbourne, and we had great fun loitering around the little
street where the trio of bandits waited in their car before
springing out and attempting to mug their prey. We then skipped
off to the scene of Holly’s Haberdashery, the shop that was
besieged by the police after the payroll grab went pear-shaped.
All the heartache and nerve-gripping action flooded back to us
– alas poor Bazza and Wayne.
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The
scene of one of Margo’s several penal residences, Barnhurst
Prison, was even more evocative. The one-time monastery used to
represent the prison-farm is located within a large expanse of
parklands by the Yarra River in the inner-city suburb
Abbotsford. Partly shrouded by trees and bush, ‘Barnhurst’
immediately filled us with an eager sort of foreboding: it was
here that we first clapped eyes on Marie Winter (and indeed
presumably here that she harvested her magic mushrooms)! Now the
only residents of what passed as the ‘farm’ were goats,
albeit very friendly ones, maybe a little too friendly, seeing
as one had managed to lose a leg in its travels!
It
was not enough to see prisons and courthouses. Our next trip
gave us the opportunity to saunter by Greg Miller’s surgery (a
white two-storey terrace house) in Spring Street, Fitzroy. This
was obviously not a neighborhood accustomed to sightseers –
several passers-by stopped in bafflement as this eager band of
British tourists took photographs of an unremarkable terrace. It
would have been too cruel to point out to them the true cultural
heritage that lay within that building, not least when we were
standing on the spot where an aggrieved David O’Connell staked
out the place prior to shooting Karen Travers. Such monumental
significance cannot be communicated to the uninitiated
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One
of the most notorious Prisoner locations is the
ominous redbrick building that represented Blackmoor Prison
(next to which Wentworth was a holiday camp). This was possibly
the most striking, most dramatically important location of all.
The building was in fact the old Melbourne Metropolitan Board of
Works pumping station in the suburb of Spotswood. It was smaller
than we had imagined, but the courtyard that featured as the
prison yard still had a certain air to it, not least when we
could set foot on the ground on which Rita Connors was inducted
into the ‘black hole’. There was also the very grate to
which the doomed ‘Bongo’ Connors was chained, and we could
also ascend the steps at the back of the yard and patrol the
rooftops as only a lamentable crew of would-be Gestapo-style
warders could envisage!
Prior
to Prisoner, the building had proven sufficiently
portentous to play a role in ‘Mad Max’, where it served as
the Halls of Justice building. Nowadays the building is part of
the Science-works Museum, and as such remains open to the
public.
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Having
empathized with the sorry denizens of Blackmoor, it remained for
us to take a step back in time to the days of late 1980. When
Meg’s less than exemplary stepdaughter Tracey Morris came to
have her trial, a more spacious location than the Prahran
Courthouse was chosen, possibly to accommodate the high drama of
the ensuing chase scenes. The South Melbourne Town Hall in Banks
Street was used to represent the courthouse – at any rate the
exterior and streetscape were used, not the actual interior of
the building. After the trial Tracey was kidnapped and driven
around Port Melbourne until the exhilarating shoot-out at the
Graham Street overpass.
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Article and
images © Simon Hall.
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